• Foreword • Toward a Visual Analysis of Social Movements, Conflict, and Political Mobilization, Nicole Doerr, Alice Mattoni, Simon Teune (pp. xi – xxvi) • Part I: Special Topic: Advances in the Visual Analysis of Social Movements • “We are all Khaled Said”: Visual Injustice Symbols in the Egyptian Revolution, 2010–2011, Thomas Olesen (pp. 3 – 25) • Bodies Keying Politics:A Visual Frame Analysis of Gendered Local Activism in France and Finland, Eeva Luhtakallio (pp. 27 – 54) • Images of Surveillance: The Contested and Embedded Visual Language of Anti-Surveillance Protests, Priska Daphi, Anja Lê, Peter Ullrich (pp. 55 – 80) • The Emotional Imperative of the Visual: Images of the Fetus in Contemporary Australian Pro-Life Politics, Kirsty McLaren (pp. 81 – 103) • Protest Movements and Spectacles of Death: From Urban Places to Video Spaces, Tina Askanius (pp. 105 – 133) • Part II: Comments on Advances in the Visual Analysis of Social Movements • What we can do with Visual Analysis in Social Movement Studies: Some (Self) Reflections, Donatella della Porta (pp. 137 – 144) • Part III: General Theme: Narratives and Repertoires of Contention • The Work Stories do: Charles Tilly’s Legacy on the Provision of Reasons, Storytelling, and Trust in Contentious Performances, Marc W. Steinberg, Patricia Ewick (pp. 147 – 173) • Repertoires of Contention and Tactical Choice in Latin America, 1981–1995, James C. Franklin (pp. 175 – 208) • About the Contributors, pp. 209 – 212)